Opinions

  • Savina Tarsitano

    Savina Tarsitano, pittrice e fotografa italiana, nasce nel 1970 a Lamezia Terme in Calabria. Per il suo primo sul progetto artistico “L’isola che Vuoi” ottiene nel 2005 la borsa di ricerca artistica “Odissea”, promossa dal Ministero francese per la cultura e la comunicazione e gestito dal Network Europeo per la valorizzazione dei monumenti storici in Europa, per cui lavora fino al 2010 viaggiando…
  • Sonia Pedrazzini

    Raised in Capri, Sonia Pedrazzini graduated in Industrial Design at ISIA in Rome with Paolo Deganello and Andries Van Onck.
  • Packaging Speaks Green

    Sustainability and profitability: this is the theme we have to deal with today, while looking ahead to tomorrow.
    Editoriale di Stefano Lavorini
     
  • Max Marra. Automazione

    Max Marra, Automazione (2021). The idea comes from a pictorial work by Maestro Dario Fo from 2015.
  • Packaging and ecological transition

    At the beginning of May, the data relating to the IX and X reports on segregated collection and recycling, produced by ANCI* as part of the ANCI-CONAI** framework agreement, was presented. By Stefano Lavorini
  • Scenarios of sustainability and innovation

    MEAT-TECH by Ipack Ima has started a journey towards the edition scheduled at Fieramilano from 22 through 26 October 2021, in conjunction with TuttoFood and Host. And it has done  so by calling together experts and operators in the sector on a virtual platform on 24 March, to take stock of sustainable packaging for the meat and cured meats sector.               
  • Giorgia Marra

    Giorgia Marra creates special and unique handmade articles. The Creations By Giorgia brand, set up in 2010, stands out immediately for its jewelry line inspired by the natural beauty of Marra’s homeland, Calabria, returning to the traditions of the past re-worked in a modern light.
  • Remember to pluck the chicken before you cook it

    Not for one's own good but for the good of humanity, the people, the nation…» This challenging statement has been and is widely used to celebrate unconfessable interests and manipulate the economic, cultural and political needs that characterize the functioning of society.. Stefano Lavorini
  • Max Falsetta Spina

    Since 25 years behind the lens, Max Falsetta Spina is photographer and set designer.
  • A noteworthy ending

    "Who in the world manages to keep themselves upright, while overwhelmed by fear? This was asked by Athena in the Eumenides of Aeschylus, when she founded the Areopagus, the ancient Athenian court reserved for the most serious crimes.
  • About chariots and the fear of flying

    “Ferrari Challenger" by Sun Chemical, or rather, if you don't race you don't win: as a person and as a company. Notes of a very enjoyable and instructive day, even without having won. Stefano Lavorini
  • "Know thyself"

    Know yourself and be aware of your limits: this is one of the classical interpretations of the maxim that, it is said, was inscribed on the temple of Apollo in Delphi.

    Stefano Lavorini
  • Pippo Altomare

    Pippo Altomare was born in Nicosia on April 8, 1958, and currently lives in Sicily (Sperlinga).
  • My, what beauty!

    No Papeete Beach, no Billionaire... For many of us humans, this summer has been very different from diving into more or less exclusive and risky social events, from the spasmodic search for pleasure.
    Stefano Lavorini
  • Joseph Zicchinella

    Joseph Zicchinella, born in 1975 in Somma Lombardo VA, studied at the Liceo Artistico and the Academy of Fine Arts in Catanzaro, his hometown.
  • Bound for Glory

    Bound for Glory is the title of a novel by Woody Guthrie published in 1943, from which a film directed by Hal Ashby was based in 1976.
    Stefano Lavorini
  • Where were we heading? Do we perhaps know where we are now heading?

    Up to now, within the world we knew, we have felt reasonably strong and secure as individuals and as a collective... Yet it only took an extraordinary event to bring us back to the past, to the recollection and personal experience of ancestral fears.
    Stefano Lavorini

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